Average Reviews:
(More customer reviews)Learning guitar is an odd process. You're supposed to practice, practice, practice. You learn chord shapes. You have lessons. You dissect solos note by note. There appears to be no master plan. Somehow, through a variety ofmethods, you're supposed to learn. Eventually, you're assured, by somemeans you're not aware of yet (osmosis?), you'll "get it."
Thisbook is the "it" you're supposed to get.
Far too many booksassume that the common methods work. Many an aspiring student has put theguitar in the closet in frustration at something that doesn't address thebasic question - What note do I play next?
Bill Edwards has taken theidea of positional relationships to its highest point. If I play a C chordwith a barre at the eighth fret, where will I find a convenient F and Gposition? What shape will I need to play, and what fret should I startfrom?
This seems to me to be a basic question yet it hardly gets amention in most books. It seems that if you practice long enough and don'tget bored to death, you'll know this.
Bill Edwards shows that the fivemajor chord shapes (C, A, G, E, and D) follow as you move up the fretboard,so you quickly learn that if you're playing a certain shape at a certainfret, the chords you're going to need will be in a specific other shape aspecific number of frets away.
This is independent of what key you'replaying in, so if you start a 12-bar blues with a A-shape, you can dropdown a couple of frets and play an E-shape for the next chord.
I've madeit sound far more complex than it is. You'll need the book - make nomistake - and in just a few hours you'll have learned a huge amount ofuseful stuff.
But this is just the first seventeen of over a hundredpages. The idea of positional relationships is used to describe scales andthen the pentatonic blues scale, so you can build solos and knowimmediately where the next notes are.
Fretboard Logic pulls all theuseful stuff from other learning methods together. It shows you *why* youplay the notes you do.
I was suspicious of the other reviews here (mainlyreprinted from the book's cover), because they sounded so good theycouldn't be true. Then I saw the book recommended on the Fender Forum, so Idecided to take a chance.
Yeah, you still have to practice. Your fingerswon't get supple until you do. But imagine practicing where you'reconstantly trying something new, and where the musical inspiration flows.That's what you'll get if you study Fretboard Logic.
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Product Description:
The Special Edition is the first two volumes of the Fretboard Logic guitar series combined, at a special discount. Part One deals with the pattern organization of the fretboard which results from the guitar's unique tuning system. Part Two teaches the tone groups of music - Chords, Scales and Arpeggios - by building them in the context of this pervasive pattern organization, and thereby eliminating the usual guesswork and rote memorization associated with these areas of a guitarist's education. This alone can take years off the learning curve. Combined, the two parts form a solid foundation by which a guitarist can intelligently pursue the music styles and technical approaches of their own choosing, and play them on the guitar types which they prefer.
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